“Contained and ferocious, at once disarmingly and ambiguously candid about blistering feelings which are made to seem commonplace and all the more frightening for that.”

– Jane Miller, Times Literary Supplement

“The Stepdaughter is the perfect book for people who find Joan Didion too even-keeled, Renata Adler too fair-minded . . . In its own way, it’s a perfect novel . . . Blackwood’s best book . . . It deserves to be a cheeky summer hit.”

– Gideon Leek, Los Angeles Review of Books

“Caroline the pessimist made the world a happier place to be in because she could make mocking music of its terrors.”

– Jonathan Raban

“Blackwood is ‘an expert analyst of female fury,’ an outlook which is tempered by her deliciously dark sense of humour. She utilises black comedy as a means to engage with stories of the shocking difficulties faced by women and girls . . . Despite being a ‘savagely original’ voice and an irrepressible talent, Caroline Blackwood remains inexcusably neglected . . . Caroline Blackwood deserves to stand as a northern fiction author on par with her southern contemporary Edna O’Brien.”

– Dawn Miranda Sherratt-Bado, Irish Times

“One of the greatest, darkest writers who ever lived . . . Her books are concise, mordant essays on evil . . . Blackwood’s magnificent works are like pure odes to odium, her prose cuttingly matter-of-fact . . . Blackwood’s works delve deeply into complicated, ugly relationships between women, something that is especially fascinating when the author herself was defined throughout her lifetime by her marriages to high-profile men."

– Virginia Feito, CrimeReads

"Relentless, concise and funny . . . Caroline Blackwood is an expert analyst of female fury."

– The Observer

“Blackwood's macabre humor teases out the farcical aspects of human behavior at its most awkward and unmanageable, addressing outrageous situations with glacial detachment and overtones of Gothic dread. ‘The worst that could happen,’ in Blackwood's fiction, is what is always happening, and from a certain perspective, always, horribly, hilarious.”

– Gary Indiana

"Domesticity for Miss Blackwood has never been cozy; she listens for the ticking of the time bomb in the teapot."

– Carolyn Geiser, The New York Times Book Review

“A relentless, concise and (actually) funny book, one that you might put next to Edna O’Brien.”

– Lorna Sage, The Observer

“Witty, observant, clever, an unusual entertainment—and something more besides.”

– Robert Nye, The Guardian