★ "This picture book features the universal kid struggles of losing a doll, moving, and annoying little brothers set against the backdrop of the 1947 partition of India, into two independent nations—India and Pakistan...[b]ased on Shamsi’s own family story, this work features a heartrending narrative about the loss of a doll but also the loss of home. It also shows how something new can emerge out of heartbreak. With a limited palette of tans and blues, Lak’s arresting digital illustrations capture the pandemonium of the traumatic large-scale event with the same detail and care as the turmoil caused by a missing toy."

– School Library Journal, starred review

"Poignant and perfect. I’d never read a picture book story on Partition before and was blown away...it's tinged with a haunting sadness, yet saturated with hope and love. The illustrations complement the text perfectly and the last page brings the story together in a lovely and surprising way...I can't wait to see this book touch lives."

– Reem Faruqi, award-winning author of Lailah's Lunchbox

"Shamsi’s text vividly portrays the confusion and pain experienced by Azra’s family as well as the generosity of the strangers they encounter on their journey to their new home in Lahore. Relying on a muted palette and loose yet expressive linework, Lak skillfully conveys the uncertainty and fear felt by those who endured Partition. The book’s sweet conclusion also illuminates the power of new beginnings in desperate circumstances.

A poignant and memorable tale."

– Kirkus Reviews

There's little comfort in the fact that forced migration is part of the human story, but there is always comfort in the potential for connection through the sharing of stories. The Moon From Dehradun, set during the partition of India and Pakistan in 1947, is relevant today, as war and climate change force people from their homes...[a] tender, semifictional account about starting over.

– Booklist

"This child’s perspective on the largest forced migration in modern human history is rendered with both tenderness and urgency."

– Horn Book Magazine

Shamsi’s text balances the deep sadness and disorientation that Azra feels with text that shows the strength and hope she draws from her role as older sibling. Lak’s bustling, thin-lined illustrations depict crowded trains full of similarly worried travelers—a glowing moon above them all—and, as Azra’s family heads toward a residence that others had to flee just as quickly, portray another family making their way toward Azra’s old home. It’s a haunting, history-based arc that powerfully depicts similarities among those made to flee.

– Publishers Weekly