John Wagner has been scripting for 2000 AD for more years than he cares to remember. His creations include Judge Dredd, Strontium Dog, Ace Trucking, Al’s Baby, Button Man and Mean Machine. Outside of 2000 AD his credits include Star Wars, Lobo, The Punisher and the critically acclaimed A History of Violence.

With over 300 2000 AD stories to his name – not to mention over 250 Daily Star Judge Dredd strips – Alan Grant’s prolific creative record speaks for itself. Outside the Galaxy’s Greatest Comic, Grant is well-known to Batman fans following a lengthy run on various incarnations of the title. More recently he has adapted Robert Louis Stevenson’s classic novels Kidnapped and Doctor Jekyll and Mr Hyde in Graphic Novel format with artist Cam Kennedy.

Gordon Rennie is one of 2000 AD's most prolific creators, with co-creative credits for Caballistics, Inc., Missionary Man, Necronauts, Storming Heaven, Rain Dogs and Witchworld. Rennie has written for Heavy Metal and Warhammer, as well as Species, Starship Troopers and White Trash.

Robbie Morrison is one of 2000 AD’s most popular writers, having co-created The Bendatti Vendetta, Shakara, Shimura and Vanguard, as well as being one of the select few writers to have chronicled the adventures of Judge Dredd in 2000 AD and the Judge Dredd Megazine. He is also co-creator of fan-favourite strip Nikolai Dante, which won an Eagle award for ‘Best Character’ in 2002, beating Judge Dredd to this accolade for the first time in almost twenty years. In the US, he has written Spider-Man’s Tangled Web for Marvel and The Authority for DC/WildStorm. His and artist Charlie Adlard’s critically acclaimed graphic novel White Death has also been hugely successful in both Europe and the US.

Steve Dillon is a fan-favourite 2000 AD writer and artist, and the creator of both Hap Hazzard and the Irish Judge Joyce. His writing for the Galaxy’s Greatest Comic includes Future Shocks and Rogue Trooper, while Dillon’s pencils have graced A.B.C. Warriors, Bad Company, Judge Dredd, Harlem Heroes, Ro-Busters, Rogue Trooper and Tyranny Rex. Dillon shot to international superstardom as a result of his work on DC/Vertigo’s Preacher, co-created with 2000 AD’s Garth Ennis.

Leigh Gallagher was looked upon strangely as he attempted to leap triumphantly in the air when Tharg gave him his first professional comics work in 2000 AD. Since then he has worked on Vertigo’s The Witching, DC Comics’ Justice League Unlimited, and more recently he was the 2008 artist on Lego’s Bionicle, based on the popular toy line. Now he’s back with 2000 AD on Defoe, reinventing himself using a style inspired by his early love of British comics Scream, Eagle and, of course, 2000 AD. He has finally realised he will never accomplish that triumphant leap, but is still looked upon strangely.

Carl Critchlow is another 2000 AD artist whose popularity is rising, thanks primarily to his work on the co-created semi-comic sci-fi strip Lobster Random. He made his debut some years previously, however, working on Nemesis and Deadlock, then moving on to Batman/Judge Dredd, Flesh, Flesh 3000 AD, Future Shocks, Judge Dredd, Mean Machine and Tales of Telguuth. Outside of 2000 AD, Critchlow is well known for his work on Thrud The Barbarian.

Frazer Irving is without question one of 2000 AD’s brightest new stars. His distinctive style, both on co-created strips like A Love Like Blood, Necronauts and Storming Heaven, as well as on Judge Dredd, Judge Death, Future Shocks, Terror Tales, Tharg the Mighty, The Scarlet Apocrypha and Sinister Dexter, have quickly brought him to the attention of the US industry. Irving recently completed both Klarion the Witch-boy for DC Comics and Iron Man: Inevitable for Marvel comics. Amongst other things he is currently working on Gutsville with Simon Spurrier, published by Image Comics.