“A Desolate Splendor is a bleak and luminescent elegy, a frontier novel masquerading as post-apocalyptic fiction and vice versa. One of the most intense CanLit novels of all time.”—Clifford Jackman, author of The Winter Family

“John Jantunen has written a fierce, intelligent, and heartwrenching end-of-days saga. While I had pleasant flashbacks to Robert R. McCammon’s masterful Swan Song while reading A Desolate Splendor, what Jantunen has done in these pages is distinct, galvanic, and very much his own.” — Craig Davidson

“John Jantunen moves Blood Meridian from the desert to the boreal forest, where danger is more easily hidden by trees.” — Nicholas Ruddock, author of Night Ambulance and The Parabolist

“A Desolate Splendor comes on like a wind-driven fire, gathering momentum with each page. The pace never falters as Jantunen deftly braids together the strands of his story in vivid, immediate detail.” — A.J. Somerset, author of Combat Camera and Arms: The Culture & Credo of the Gun

“Recommended if you want an apocalyptic tale that feels like grit-lit.” — Lipstick and Libraries

“Jantunen is a storyteller in his own right, with a real gift for describing the richness and magical qualities of the natural world … A forceful, visionary novel written in passionate and sensual language.” — Quill & Quire

“This hollowed and eager portrayal of violence and post-civilized depravity is indicative of the strengths of A Desolate Splendor, which is written with a confident kind of impetus and drama. It has an honesty of intention that might be compared to Stephen King, and there are moments when Jantunen can make us shiver as something creeps in the shadows or cheer as a loyal dog saves a boy's life.” — The Winnipeg Review

“A Desolate Splendor is intense, intelligent, and unflinchingly brutal in its portrayal of a frontier atmosphere where human society has completely broken down into violent tribes and selfish individualism.… Fans of noir thrillers and post-apocalyptic fiction will find this tale thrilling and realistic.” — Scene Magazine