Christopher Griffith

Christopher Griffith is a multidisciplinary artist and photographer who has threaded the needle between the world of art and commerce for over 30 years. He started his photography career in London and Paris having abandoned a PhD in Genetics at University College London in the mid 1990’s with assignments for BLITZ, The Face, VOGUE Paris and multiple international ELLE magazines alongside advertising campaigns for Issey Miyake, Trussardi, and a long standing relationship with ETRO.

Griffith published his first monograph STATES (powerHouse Book, 2001), a minimalist survey of the detritus characteristic of post-war American motorama; followed by FALL (powerHouse Books, 2004), a hyper macro studio of the colors of autumn in the American Northeast; and finally BLOWN (Auditorium Editions, 2009), an abstract study of blown out tires collected from the highways across the United States.

In POP LIFE, Griffith has returned to a common theme in his personal work that explores that which lies discarded and forgotten and raises it to the level of a visual icon purely through the lens of photographic high fidelity. He photographs these small disposable artifacts with the same attention and care as normal reserved for an expensive watch or pieces of jewelry. The result is a perception of images that far exceeds that of holding the object in your hand. Simple bottle caps are transformed into big, bold, and beautifully texture objects that are confusingly appealing in beauty…even though they are still just disposal bottle caps